P\u0113tera Vaska fonda r\u012bkotaj\u0101 koncert\u0101 Mazaj\u0101 Me\u017eotnes pil\u012b 29. j\u016blija vakar\u0101 pirmo reizi Latvij\u0101 sevi pieteica trio “S\u014dra” \u2013 vijolniece Magdal\u0113na Geka, \u010delliste An\u017eela Legaza un pianiste Pol\u012bne \u0160en\u0113. K\u0101 jau ierasts, pateicoties fonda iniciat\u012bvai, tika pirmatska\u0146ota latvie\u0161u m\u016bzika, \u0161oreiz rad\u012b\u0161anas br\u012bnumam rosinot Indru Ri\u0161i un Platonu Buravicki, bet jaundarbiem l\u012bdz\u0101s likti jau labi zin\u0101mie P\u0113tera Vaska un Morisa Ravela opusi. Viegl\u0101s un romantisk\u0101s nokr\u0101s\u0101s veidotaj\u0101 programm\u0101 “S\u014dra” piev\u0113rs\u0101s savu p\u0101rst\u0101v\u0113to valstu (Latvija un Francija) m\u016bzikas paraugiem, atkl\u0101jot uzteicamas kamermuzic\u0113\u0161anas kvalit\u0101tes un jaun\u012bbas degsmi.<\/p>
2015. gad\u0101 izveidotais trio izv\u0113l\u0113jies nosaukumu “S\u014dra”, kas Amerikas indi\u0101\u0146u valod\u0101 apz\u012bm\u0113 “putnu, kur\u0161 dzied, kad pace\u013cas sp\u0101rnos”. Sagad\u012b\u0161an\u0101s vai ne, bet visa koncerta pirm\u0101 da\u013ca ar latvie\u0161u komponistu darbiem liel\u0101koties bija ietur\u0113ta tie\u0161i putnu tematik\u0101 \u2013 Vaskam, k\u0101 zin\u0101ms, putni ir viens no tuv\u0101kajiem dabas simboliem, kas atkl\u0101j\u0101s ar\u012b opusa “L\u012bdzenuma ainavas” p\u0101rlikum\u0101 klavieru trio, pavisam tie\u0161i sp\u0101rnu v\u0113zieni un \u010divin\u0101\u0161ana bija saklaus\u0101ma Ri\u0161es opus\u0101 “Putnatorija. No Ausmas l\u012bdz Gaismai”, un t\u0101lu no \u0161\u012b tematisma neaizg\u0101ja ar\u012b Buravickis ar “Debessziedu arom\u0101tu”.<\/p>
Koncerta atkl\u0101\u0161ana ar fonda patrona m\u016bziku jau ar pirmaj\u0101m takt\u012bm \u013c\u0101va acu priek\u0161\u0101 iedom\u0101ties komponista piemin\u0113to zvaig\u017e\u0146oto nakti, kurai Latvijai rakstur\u012bgaj\u0101 l\u012bdzenuma reljef\u0101 nevar galu saredz\u0113t. Koncentr\u0113jot k\u0101 savu, t\u0101 klaus\u012bt\u0101ju uzman\u012bbu uz mistikas pilno noska\u0146u s\u0101kum\u0101, m\u016bzi\u0137es no nakts tumsas non\u0101ca l\u012bdz kulmin\u0101cijai ar saull\u0113ktu un dziedo\u0161u putnu bariem. Tom\u0113r j\u0101teic, ka tuvo\u0161an\u0101s gaismai bija visai nevienm\u0113r\u012bga un raust\u012bta \u2013 \u0161\u0137iet, daudz pat\u012bkam\u0101k un ar\u012b atbilsto\u0161\u0101k b\u016btu saglab\u0101t nosac\u012bto intrigu iesp\u0113jami ilgi, pa ce\u013cam neveidojot mald\u012bgas kulmin\u0101cijas, kas to “\u012bsto” padara maz\u0101k iespaid\u012bgu un spilgtu. Tas, protams, nav tik viegli, k\u0101 var\u0113tu likties, ta\u010du efekts neap\u0161aub\u0101mi b\u016btu liel\u0101ks. Tom\u0113r \u0161\u012b neliel\u0101 neveiksme nek\u013cuva par iemeslu ap\u0161aub\u012bt “S\u014dras” sp\u0113ju iedzi\u013cin\u0101ties un iemiesoties Vaska m\u016bzik\u0101, un, lai ar\u012b divas tre\u0161da\u013cas ansamb\u013ca nav latvie\u0161u izcelsmes, klausoties vi\u0146u sniegumu komponistam rakstur\u012bg\u0101 fakt\u016bra, melodiskie mot\u012bvi un diatoniskie g\u0101jieni bija saj\u016btami tikpat patiesi un bez piep\u016bles k\u0101 m\u016bsu pa\u0161u m\u016bzi\u0137u sniegum\u0101.<\/p>
Ja P\u0113tera Vaska m\u016bzika \u2013 vismaz man \u2013 neap\u0161aub\u0101mi asoci\u0113jas ar latvisku mentalit\u0101ti un tai atbilsto\u0161u m\u016bzikas valodu un skan\u0113juma kr\u0101s\u0101m, tad Indras Ri\u0161es dai\u013crade, cik nu san\u0101cis to dzird\u0113t, ir cit\u0101da, it k\u0101 nenosak\u0101mas nacion\u0101l\u0101s pieder\u012bbas, kaut ar\u012b vi\u0146ai dabas un putnu t\u0113ma nav sve\u0161a, ja apskat\u0101m vi\u0146as darbu sarakstu. Tr\u012bsda\u013c\u012bgais opuss “Putnatorija. No Ausmas l\u012bdz Gaismai” nav vis sentiment\u0101li skaistu priek\u0161statu att\u0113lojums par putnu koriem debesu \u0101r\u0113s, bet dabas skaudro likumu atspogu\u013cojums m\u016bzik\u0101, gan izce\u013cot c\u012b\u0146as aspektu putnu dz\u012bv\u0113, gan t\u012bri cilv\u0113ciski un \u0161odien aktu\u0101li raugoties uz tiem, kas laimi mekl\u0113t aizbrauc sve\u0161um\u0101 un ar\u012b c\u012bn\u0101s par m\u0101j\u0101m, izdz\u012bvo\u0161anu, savu \u0123imeni. No pla\u0161\u0101m v\u0113zienu l\u012bnij\u0101m un v\u0113rien\u012bg\u0101m lidojuma trajektorij\u0101m pirmaj\u0101 da\u013c\u0101 ska\u0146darbs dabiski, bet noteikti uz\u0146em apgriezienus un k\u0101pin\u0101jumu, l\u012bdz fin\u0101l\u0101 rezult\u0113jas kareiv\u012bg\u0101 ain\u0101, vienlaikus saglab\u0101jot kamerm\u016bzikas m\u0113rogu un ideju. N\u0113, nav nek\u0101da kara fat\u0101lisma, paties\u012bb\u0101 tie\u0161i otr\u0101di \u2013 m\u016bzika ir \u013coti skaista (lai cik neori\u0123in\u0101li tas ar\u012b skan\u0113tu, gribas to raksturot tie\u0161i k\u0101 skaistu), bez izteikti laikmet\u012bgiem izteiksmes l\u012bdzek\u013ciem harmonij\u0101, fakt\u016bras sl\u0101\u0146os un sp\u0113les pa\u0146\u0113mienos. Izskanot pirmatska\u0146ojumam, n\u0101kas secin\u0101t, ka Ri\u0161es dai\u013crade, lai ar\u012b bag\u0101t\u012bga un ieinteres\u0113jo\u0161a, publiski tiek atska\u0146ota vair\u0101k nek\u0101 reti, t\u0101p\u0113c paldies Vaska fondam par iesp\u0113ju vismaz nedaudz to dzird\u0113t un iepaz\u012bt koncerta apst\u0101k\u013cos, nevis tikai ieska\u0146ojum\u0101.<\/p>
Platons Buravickis gan, \u0161\u0137iet, nevar\u0113tu s\u016bdz\u0113ties par atska\u0146ojumu un jaunu pas\u016btin\u0101jumu tr\u016bkumu \u2013 pavisam nesen Liep\u0101jas Simfoniskais or\u0137estris pirmatska\u0146oja vi\u0146a Liep\u0101jas (p\u0113c skaita vienpadsmito) koncertu balsij un or\u0137estrim, jauns darbs gaid\u0101ms ar\u012b festiv\u0101l\u0101 “Sansus\u012b” un novembr\u012b: Berl\u012bnes Filharmonijas or\u0137estra okteta pas\u016btin\u0101jums “Liel\u0101 dzintara” jubilejas koncertam. Tam visam pa vidu \u2013 apjom\u0101 neliels klavieru trio “Debessziedu arom\u0101ts”, kur talant\u012bgais komponists par\u0101d\u0101s sev netipisk\u0101 veidol\u0101. Ja esam pieradu\u0161i, ka Buravicka m\u016bzika ir k\u0101 spr\u0101gsto\u0161s ener\u0123ijas l\u0101di\u0146\u0161, kur bie\u017ei vien talk\u0101 n\u0101k ar\u012b elektronika un citas m\u016bsdienu iesp\u0113jas, tad “S\u014drai” rad\u012btais jaundarbs ir kaut kas pret\u0113js \u2013 ietur\u0113ta ska\u0146u palete, kuras idejiskais pamats ir zied\u0113\u0161anas mirkl\u012bgums un netveram\u012bba. Ar\u012b te muzik\u0101li nedaudz par\u0101d\u0101s c\u012b\u0146as simbolisms, kas nepiecie\u0161ams, lai kaut kas izaugtu un kaut tikai uz \u012bsu br\u012bdi par\u0101d\u012btos vis\u0101 kr\u0101\u0161\u0146um\u0101, tom\u0113r kopum\u0101 j\u016btams, ka \u0161\u0101d\u0101 apvald\u012bt\u0101 stilistik\u0101 autoram nav bijis viegli str\u0101d\u0101t, bet to, vai sevis ierobe\u017eo\u0161ana bijusi apzin\u0101ta vai ne, ne\u0146em\u0161os spriest. J\u0101, nez vai “me\u017eon\u012bgais” Buravickis ieder\u0113tos \u0161aj\u0101 koncert\u0101 Mazaj\u0101 Me\u017eotnes pil\u012b, bet ar\u012b to m\u0113s pa\u0161laik vairs neuzzin\u0101sim. Lai nu k\u0101, trio m\u016bzi\u0137es jaundarbu iedz\u012bvin\u0101ja ar nopietnu pieeju un atdevi, t\u0101p\u0113c rezult\u0101ts neb\u016bt nav uzskat\u0101ms par pe\u013camu.<\/p>
Koncerta otraj\u0101 da\u013c\u0101 “S\u014dra” akcent\u0113ja savu otru izcelsmes valsti ar Morisa Ravela klavieru trio, kuru, k\u0101 las\u0101m programmi\u0146\u0101, meitenes \u0161ogad atska\u0146oju\u0161as jau vismaz 10 rei\u017eu. Tas, protams, ir dzirdams \u2013 sasp\u0113le notiek no pusv\u0101rda, reakcija uz kol\u0113\u0123u fr\u0101z\u0113jumu un cit\u0101m nians\u0113m ir spont\u0101na un \u0101tra, bet kop\u0113j\u0101s formas zi\u0146\u0101 darbs ir nosl\u012bp\u0113ts un atst\u0101j veseluma iespaidu. Gan \u0161aj\u0101, gan visos iepriek\u0161 dzird\u0113tajos latvie\u0161u komponistu darbu atska\u0146ojumos gribas uzteikt Pol\u012bni \u0160en\u0113, kuras klaviersp\u0113le izc\u0113l\u0101s ar lielisku to\u0146a kult\u016bru, pied\u0101v\u0101jot pla\u0161u tembr\u0101lo spektru un ska\u0146veides vari\u0101cijas. Lai ar\u012b da\u017ebr\u012bd vijole un \u010dells upur\u0113ja intonat\u012bvo t\u012br\u012bbu emocion\u0101l\u0101 pac\u0113luma v\u0101rd\u0101, k\u0101 ansamblis meitenes sp\u0113ja klasiska opusa atska\u0146ojum\u0101 ienest jaunu sparu un par\u0101d\u012bt individualit\u0101ti, piesaistot klaus\u012bt\u0101ju uzman\u012bbu no s\u0101kuma l\u012bdz galam.<\/p>
Maz\u0101s Me\u017eotnes pils z\u0101l\u0113, kas gan akustiski, gan atmosf\u0113riski ir k\u0101 rad\u012bta kamerm\u016bzikas atska\u0146o\u0161anai, vasar\u012bgo noska\u0146u koncerts k\u013cuva par pat\u012bkamu satik\u0161anos ar trio “S\u014dra”, kuru uzst\u0101\u0161anos Latvij\u0101 noteikti grib\u0113tos tuv\u0101kaj\u0101 n\u0101kotn\u0113 sagaid\u012bt atkal. Lai ar\u012b m\u016bzi\u0137es ir gados jaunas un v\u0113l turpina augt gan individu\u0101li, gan ansambliski, vi\u0146u kopsp\u0113le liek cer\u0113t, ka sadarb\u012bba b\u016bs ilglaic\u012bga un rado\u0161iem eksperimentiem atv\u0113rta, un varb\u016bt n\u0101kamreiz vi\u0146as m\u016bs iepaz\u012bstin\u0101s ar fran\u010du komponistu jaundarbiem.<\/p>","protected":false},"excerpt":{"rendered":"
P\u0113tera Vaska fonda r\u012bkotaj\u0101 koncert\u0101 Mazaj\u0101 Me\u017eotnes pil\u012b 29. j\u016blija vakar\u0101 pirmo reizi Latvij\u0101 sevi pieteica trio “S\u014dra” \u2013 vijolniece Magdal\u0113na Geka, \u010delliste An\u017eela Legaza un pianiste Pol\u012bne \u0160en\u0113. K\u0101 jau ierasts, pateicoties fonda iniciat\u012bvai, tika pirmatska\u0146ota latvie\u0161u m\u016bzika, \u0161oreiz rad\u012b\u0161anas br\u012bnumam rosinot Indru Ri\u0161i un Platonu Buravicki, bet jaundarbiem l\u012bdz\u0101s likti jau labi zin\u0101mie […]<\/p>\n","protected":false},"author":4,"featured_media":1234,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1233","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-koncerti"],"acf":[],"_links":{"self":[{"href":"https:\/\/mazamezotnespils.lv\/en\/wp-json\/wp\/v2\/posts\/1233"}],"collection":[{"href":"https:\/\/mazamezotnespils.lv\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mazamezotnespils.lv\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mazamezotnespils.lv\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/mazamezotnespils.lv\/en\/wp-json\/wp\/v2\/comments?post=1233"}],"version-history":[{"count":2,"href":"https:\/\/mazamezotnespils.lv\/en\/wp-json\/wp\/v2\/posts\/1233\/revisions"}],"predecessor-version":[{"id":3882,"href":"https:\/\/mazamezotnespils.lv\/en\/wp-json\/wp\/v2\/posts\/1233\/revisions\/3882"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mazamezotnespils.lv\/en\/wp-json\/wp\/v2\/media\/1234"}],"wp:attachment":[{"href":"https:\/\/mazamezotnespils.lv\/en\/wp-json\/wp\/v2\/media?parent=1233"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mazamezotnespils.lv\/en\/wp-json\/wp\/v2\/categories?post=1233"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mazamezotnespils.lv\/en\/wp-json\/wp\/v2\/tags?post=1233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}